Multimedia artist Claire Bangser created NOLAbeings as a portrait-based story project that marries image and text. Inspired by the Humans of NY project, it stems from the belief that we can all learn from one anothers’ stories. Primarily featured on Instagram (and tumblr), Claire meets people in coffee shops, grocery stores, living rooms, sidewalks, and learns something about each individual through a snapshot conversation and image. After discovering and falling in love with the project, editors at NolaVie asked to post a weekly roundup of her most visually and narratively stimulating photos.
“After the storm, everybody was ordered to put their refrigerators out on the sidewalk because it’s a health hazard. It was like sentinels: you came down the street and you saw this whole long road, like little soldiers going down the street. But nobody just put their refrigerator out—we had to make editorial comments, because it’s the way we are. So you’d see this one said, ‘Really disgusting gumbo in here. This one’s for you, George Bush!’ or ‘Thanks Corps of Engineers, we really appreciate the bath!’ This very peculiar sense of humor we have here: It’s one of the coping mechanisms. We just find things amusing that other people don’t find that amusing.”
“In Oregon, you don’t walk up to someone and tell them off for doing something wrong! You like, politely write them an email that passive aggressively suggests that you might be frustrated. When I started teaching in New Orleans, parents would walk up to me and just scream at me! And then hug me! And then like, kiss me on the cheek and then invite me for dinner. It’s this very honest, open willingness to say, ‘You’re going to make a lot of mistakes – you ARE making a lot of mistakes. I love you anyway. But don’t for a second believe that you have on a red cape, because that’s in your brain.’”
“When I was in film school I was so terrified of believing in my own ideas and speaking and having a voice and being confident in what my thoughts were. And I met Maya and we became friends and she just had such a way of hearing things and looking at things which wasn’t judgmental, but was about following your path. She really believed in my film even when my teachers told me it was impossible. And I think at that point I didn’t know when to not listen to people, especially educators. She brought about this belief in myself just though being able to see what I was seeing but apparently none else could see.”
“I’ve been through drugs and all that shit. I used to drink. I gave all that up and I’m trying to give up cigarettes. Got my GED. I went out for welding, ‘cause I love welding. I went to job corps, did that for 11 months except the instructor, he got prejudices and didn’t give us no paperwork on what we used to do in the shop so I just had to take my licks. After I didn’t get the welding trade, I fell back in cooking because I know I love cooking. I used to watch my mom and my grandma cooking all the time. I’m real good at cooking and baking. I bake cakes, pies, biscuits with peaches on there, yeah all that.”
Earthtalk: “Cool Roofs” for New Orleans
It’s hot outside, but it could be cooler! In this article, Brooke Theis explores Cool Roofs, an effective solution to the urban heat island effect that makes the New Orleans heat so unbearable. The author also explores inequalities in how people experience the environment from identity perspectives like race and class.
Big Chem-EZ: How can small Louisiana communities access clean drinking water after a hurricane?
When I went to visit the Pointe-au-Chien tribe after Hurricane Ida with my Service Learning class, I heard that one of the biggest challenges in the aftermath of the hurricane was finding enough drinking water, so in this article, I explore water purification methods: 1) when they are necessary, 2) how they work, and 3) if they really make your water safe to drink.
